Rima: Passages in Sephardic Sculpture Curated by Sharon Toval

 

Rochester Art Center is pleased to present Rima: Passages in Sephardic Sculpture, a solo exhibition by artist Rotem Tamir. The exhibition offers a profound exploration of ancient craft traditions interwoven with themes of cultural heritage, familial ties, and the resilience of women across generations.

In this captivating exhibition, Tamir delves into the domestic and communal practices linked to her Southwest Asian and North African heritage. Through sculptures and installations, she reflects on demanding domestic tasks traditionally associated with women, such as the crafting of wool mattresses, the preparation of the Iraqi dish kubbeh, and intricate fabric-making. These tasks, often requiring immense sacrifice, are depicted in Tamir’s work as both a celebration of women’s strength and a meditation on the personal cost of tradition.

Visitors are invited to immerse themselves in a sensory experience that bridges past and present, as Tamir weaves a rich tapestry of cultural artifacts, sounds, and symbols. At the heart of the exhibition is a round mattress, a powerful symbol of the infinite spiral of existence. Sound artist Nir Jacob Younessi collaborates with Tamir, infusing the space with traditional Jewish songs sung by Tamir’s father and maternal grandmother, echoing the enduring power of oral traditions.

Tamir also incorporates elements of her personal history, including a conceptual chandelier made of pine rosin bubbles, evoking the timeless elegance of crystal chandeliers and honoring her Aunt Lisa’s daily candle-lighting rituals. The domestic space, crucial to these traditions, is embodied in interactive installations that invite visitors to engage with the artwork intimately.

Rima: Passages in Sephardic Sculpture is a multilayered exhibition that resonates with universal themes of identity, memory, and transformation. Tamir’s work invites us to consider the invisible threads that connect us to our ancestors, urging us to reflect on the beauty and burden of our cultural legacies.

Mother of the World (Um el-Dunya) Sound by Nir Jacob Younessi, Rotem Tamir Sound editing: Nir Jacob Younessi 75L x 38W x 80H Inches Organic cotton, soda ash, Synthrapol, myrobalan, indigo powder, rose madder, calcium hydroxide, linen, tufting twine, nylon thread, locally sourced wool yarn, speakers, speaker cable, PVC pipe, amplifier, pine rosin, beeswax, cheesecloth, sumac, za’atar, and rabbit-skin glue

The sound you hear originates from the openings within the sculpture Mother of the World (Um el-Dunya). In the gallery space, this served as the main soundtrack. As you approached the sculpture, the sound naturally grew louder. Special thanks to Chaim Teitelbaum, Tirza Sorany, and her granddaughter Maggie as well as to my grandma, Perach (Mami) Oz, my dad, Nissim Tamir, and my cousin Nava Tapiro for their generous contributions and support in providing recordings for this work.